Impact of US-China geopolitical tension on the global semiconductor metrology market during the forecast period Regional perspective of demand patterns in different advanced and emerging markets, namely, North America, Europe and the Middle East & Africa (EMEA), and the Asia-Pacific (APAC)Р”Р‡orecast of revenue growth for market segments and in-depth analysis of the competitive scenario, including vendors' market shares for all equipment types In-depth analysis with market sizing of the semiconductor metrology equipment segments:Р”В¬ritical dimension: Optical critical dimension (OCD) and critical dimension-scanning electron microscope (CD-SEM) The 16mm Overlays Pack is built to enrich digital footage with the beautiful little flaws and the structure of real film.The market is set to grow further once the impact of the COVID-19 pandemic fades and the lead time for both semiconductor processing equipment and semiconductor metrology equipment reduces. As a Bonus I added some interesting and authentic sounds from recording with the ARRI 416 Camera. The material was shot with 3 different Filmstocks. Achieving that look was my main inspiration and goal. I admire the workР’В with actual film by Creatives in the Music- and Filmindustry.

The Pack will safe money, that I can now spend on other assets or for other projects! There is no risk of losing footage in the mail and on top it enables me to operate more efficient! Vamify is now able to offer the popular Filmlook at a lower production price. This is why I regarded the creation of my 16mm Footage as an investment in my future work schedule. You see, especially Europeans will need lots of time and patience, when working with real 16mm. Since all the material had to be transferred back and forth between Frankfurt and the Kodak Studios, London. A big problem for me (as I live and work in Germany), was the whole process of acquiring the Filmstock, getting it developed and scanned. Even though it was time consuming and quite costly, it sure was worth making this filming experience.

I had lots of fun, while working with this set-up. Then I went to my trusted film equipment rental store and got the ARRI 416 with Zeiss Super16mm lenses, as well as several mags and other stuff like light meters. (But at a fraction of the production cost and time!) Use our 16mm Overlays, to give your digital footage the feel of the craft of analog film, while adding the spice of grain and texture to your videos.Р”Р‡irst I had to find a place, that still sold 16mm Filmstock. The Filmlook has a big comeback and I wanted to give you all the chance of pushing your projects and match this retro trend. (To put it bluntly, a big pain in the ass!)Р”В«ut here's the deal: I already went through all the hassle of shooting on real 16mm to create a whole bunch of natural and amazingly realistic 16mm Overlay Effects for you to play with. Ever wished your projects would have the raw and unrefined feeling of real 16mm Film?Р”В«ut working with real 16mm Filmstock ist costly - the results may vary and all in all the whole filming and evolving process ist exceedingly time and nerve consuming!

Film overlay